Kuzvinuka KuDzorwa - "SOBERNESS IN SHONA" - Away fr "Dakwa without any refference to "KuZviDzora/kuDzorwa/HuDzoro/Dzoro" - "KuSvinuka/kuSvinudzwa/kuSvinukiswa/BwuSvinudzo/HuSvinudzo/Svinukidzo"

 "KuSvinuka KuDzorwa"

A Short Lyrical Contextual Exposition from the #ManzwiZivoOfficial Album

Manzwi Zivo the Album has a lot of elements to it consisting of sound doctrine & Teaching in Shona Hip Hop & Rap to the point that it is quite arrayed with many cascades of lyricism & wordplay with veey specific instrumental Overlays.

Since i had issues with the origional producers of some instrumentals from where their true colors became known after the passing of my Mother & Father, not to mention what was already very much illegal plagerism and various layers upon layers of criminal robbery taking place for over a decade concerning my music making, lyrics writting, the theft of intelectual property and manupulation of hardware stolen & when in use, IT BECAME CLEAR THAT GOD'S HAD WAS JEALOUSLY INTRUDED BY SO MANY ADVERSE WOLVES IN SHEEPSKIN AS WELL AS WOLVES IN WOLF SKIN that it made too much sense how God had gifted me as well as others with what so many looked upon as though insignificant and without value or childish BUT EXTREMELY IMPORTANT TO THE ADVANCEMENT & GLORY OF OUR HEAVENLY FATHER AND HIS KINGDOM MANIFEST ON EARTH, it actualy being trancendant of singular language or culture BUT THE SPIRIT AND TRUTH OVERALL CONCERNING ALL PEOPLES, NATIONS, TRIBES AND TONGUES.

As it is already obvious, #MazwiZivoMixtape and #ManzwiZivoOfficial are not my first shona albums, but the seccond compilations and SEQUEL to an album from 2014 compiled called #ShokoMoyoChena.

It was not a joke for people to pretend as if i could not speak the shona language just becauae i grew up outside of Zimbabwe having been born here, THAT BEING USED A PLOY TO DETER ME FROM EVER MAKING MUSIC IN THE LANGUAGE OR ANY AFRICAN TONGUE, as well as TO KEEP THE MODERN DAY ZIMBABWEAN CONFUSED AND CAPITALIZED ON DESTRUCTIVE TONGUE MANIPULATION AND CULTURE concerning areas that we're and still are large interests of the youth, given the extremely large involvement of the use of technology and electronics in the process of stewarding what God has given us on the face of the earth, SADLY THOUGH, this kind of stewardship of many places on the face of the earth without the Word of God's involvement concerning the foundational and fundamental Spirit & Truth of the very point of stewardship, in this case being music HEAVILY CONCERNING THE EXACT MESSAGE(s) & SUCH ENTIRE HEARTFELTNESS TOWARDS THE ASSOCIATION THAT ANYONE AND EVERYONE'S DAILY ONGOING HAS IF THEY EVER THINK OF MUSIC, HEAR,IT PLAYED ANYWHERE, exemplary in basic communication and people's every day interaction which are inter-involving points,of interaction concerning what music is, directly and Biblicaly being PSALMS AND SONGS/HYMN, the foundational aspects being (1)Testimonial, (2)Doctrine & Teaching (3) Thanksgiving, (4) Praise And Worship, (5) Proverbial & Knowledge of Wisdom, (6) the "Prophetic" aspect in exactly what The Bible speaks of being THE TESTIMONY OF JESUS BEING THE SPIRIT OF PROPHECY (-Revelation19:10-).

THESE ARE EXTREMELY IMPORTANT PARTS OF LIFE AS MUCH AS PEOPLE CAN UNDERSTAND exampl-ary from proverbs that "THE HEART IS FILLED WITH THE ISSUES/MATTERS OF LIFE, why told to guard it, seccondly that "FROM THE ABUNDANCE OF THE HEART THE MOUTH SPEAKS" more so to note that from it PROCEED OUR OUTWORED BEING IN DOING AND INTERACTING, obviously why when spoken specificaly of sobriety both physicaly and Spiritualy (Ephesians 5:18-20), SINGING SONGS AND MAKING MELODY FROM THE HEART GIVING THANKS FOR ALL THINGS, is where the sobriety comes from, teaching and doctrine very specific concerning all things god made and oneness of flesh being eternal spirit and truth manifest reality of all men and women young and old.

In Shona music, it is usual for people to think of things overly traditional, not concerning the sound, but reffering culture towards such teaching partiality away from the rest of the world, which is what we find IN ALL CULTURE/TRIBALISM/TRADITION(s) that do not embrace BEING REDEEMED FROM ALL NATIONS TRIBES, TONGUES AND PEOPLE(s), which actualy means that in this case ALL RELATE AND HAVE THE SIMILAIRTY IN CHRIST ON ALL FRONTS AND OF ALL POINTS IN LIFE, these two in 3 basic areas of life being (1)-All things God made are Good <waters below and above, soils, plants, animals>, (2)-Man & Woman Made in God's image <Eternal Oneness Of Flesh & Being amongst brothers and sisters with each one's pair of oneness>, and (3)-Stewardship of freely giving & freely receiving, ALL TRADITIONS TRIBES AND CULTURES REDEEMED INTO CHRIST HAVE THIS IN COMMON REGARDLESS OF KINDS OF PEOPLE(s) OR THEIR GEOGRAPHIC LOCATION ON THE FACE OF THE EARTH IN SPIRIT AND TRUTH.

These are some of the reasons some found as if it we're something to attack with such spirits of jealousy and envy, others thinking to twart the word and work of God in my life and that of others, TO NO AVAIL WITHOUT APARENCE.

In this post, i am going to go through a number of the lyrical portions of the songs TO NOTE exactly HOW OBLIVIOUS AND DEMONICALY INFLUENCED those attackers of intelectual property we're as many are NOT EVEN AWARE OF THE VERY THINGS THEY ARE CRYING FOR GOD TO HELP THE ZIMBABWEAN COMMUNITY WITH, these capitalist jealous promoters of DEBAUCHERY AND MASS PLATFORMING OF EVIL MESSAGES always finding people whom for years upon years have given up listening to music or using social media and the likes of technology, BECAUSE THEY EXPECTED GOD TO GIVE PEOPLE PURE AND PRECISE GOOD MUSIC WITHOUT MIXED MESSAGES AND CONFUSION OF SEXUAL IMMORALITY THAT HARMFULY DISTRACTS AND DESTROYS EVEN CHILDREN FROM A YOUNG AGE, EVEN AFFECTING ADULT AND OLDER PEOPLE TO CAUSING IT TO APEAR TO YOUNGER GENERATIONS AS IF THERE IS NOTHING ELSE IN MUSIC AND RECORDING etc.

Firstly, IT IS SO MUCH EVIDENCE OF WHAT I JUST WROTE considering the shona language and people of Zimbabwe AND MANY OTHER AFRICAN COUNTRIES BY THEIR LANGUAGES EVEN ABROAD IN OTHERS, that it took me more than 5 Years to find anyone who even knew the word >>>>SOBER<<<< in Shona. Having Looked in My Bible knowing it was always there but wanting to go through all the people i knew around me close abd affar, those of poetic gift in writting and heavy linguistic database of words and meaning, THERE WAS NOT ANYONE THAT WOULD COME FORTH WITH OTHER THAN THE PARA-PHRASED MULTI WORDING USING THE WORD "DRUNK" TO DEFINE IT.

The Word for Sober in Shona is "Svinuka" in full "kuSvinuka" (to be sober), basicaly making it inert as "Svinudzo", "Svinuka" as in command said to someone for them to Sober up, but descriptively in "Svinudzo", this found in the bible HOWEVER BECAUSE OF SHONA's multi-dialectal basis, and there being many kinds of surrounding connective adjec-tive wordings of the same thing, the other used in the Bible and Word of God is "Kudzorwa" (to be sober), again "Dzoro", MEANING "Sober", or more DESCRIPTIVELY.

To describe HOW BACKWARDS IT IS FOR PEOPLES MEANINGFUL CHOICE OF WORDS FOR EATING AND DRINKING BEING "kuDakwa" (to get drunk), INSTEAD OF THESE EASILY AND READILY AVAILABLE WORDS THAT ANYONE SHOULD KNOW, as i recalled them from early childhood,  BUT HERE's the thing, the specific word "Dzoro", WHICH MEANS "SOBER", was used amongst children making fun of each other in a "tuka" (rebuking/TAUNTING/cursing) manner, like how someone would if to call someone names, would shout at them saying "hay stupid!!!", literaly sucking their teeth and calling the person "DZORO" which means sober, IN EXACT MEANING OF THE WORD with the "DZ" prefix, "oro" coming from the same use in the word "Dzura" which means REMOVE, the same goes DESCRIPTIVELY FOR THE WORD "DZORO" Which SHOULD mean "TO REMOVE DRUNKENESS", but the problem which was rife AND STILL IS TODAY EVEN IN THE SLANG AND MANY KINDS OF MODERNIZED DIALECT such nature of when someone is not behaving mischiveously like the others around, and speaking or interacting in all spirit and truth, the other in mischiveious conduct and communication sucking their teeth upset and saying "Dzoro", AS IF IT IS DISRESPECTFUL TO CALL SOMEONE SOBER, OR BE SOBER, that much already too backwards to even explain in few words being thrown at someone as an Insult, OBVIOUSLY MEANING NO MATTER HOW IT APPEARS FOR THOSE IN CONVERSE OTHERWISE, THAT THEY INDEED WANT DRUNKENESS AND ONLY TO APEAR AS IF NOT DRUNK WETHER YOUNG OR OLD, such that they are describing is removed by saying "DZORO", Is any kind lf adverse spirit than Sobriety.

This song "Kusvinuka Kudzorwa" is LITERALY the EXPOSING point of Sobriety for the Modern Day Youth and The Obvious Overcoming of such calamity ALL OVER THE MUSIC FROM MILLENIAL AGE CREATORS, EVEN FROM THE 1990s born and 1980s born to 70s born and the various contexts of music IN MESSGAE AND HEARTFUL COMMUNAL OUTPUT THAT CONSISTED.

Here are the Last 8 Lines of The First Verse with a very specific wordplay that has bedm known for a long time of all kinds of langauges, even used in the creation of languages, but honestly WITH DISCIPLINE TOWARDS MEANINGFUL USAGE AND CONTEXTUAL PLACEMEN5 HAVING SIGNIFICANT IMPACT.

If anyone remembers a line with the words,

"...the TRUTH.... if you drop a T and look at it in reverse it could HURT....."

that is an example of such letter switching and adding using vowelized accentuation of the actual letters and change of words by the removing, replacing and reconstruction of ongoing WITH MEANINGFUL CONTEXT JUST AS EXPLAINED IN PROVERBIAL AND WISDOM ORIENTED MUSIC DEFINITION OF PSALM AND HYMN WITH ALL TESTIMONIAL AND THANKSGIVING.

In Shona there are many things exposed already this way, for example in another song to look at from #ManzwiZivoMixtape #ManzwiZivoOfficial  with the words bata bata and pata pata mentioning the turning upside down of the b letter to make p and p to make b.

So, The last 8 Lines of The 1st Verse in "KuSvinuka KuDzorwa".

Lyrics :
----------*********-----------*********----------******
....ngatisa kurungane poto ne hoyo  kushamisana doro yechishami, iyo yo
Y O kachi two "ngei yeku naija" shamise ziviso yeku jozi i "tjo tjo"
azvisi zvekutsmbisa kutenderudza y kuti H(echi) yacho mbiri dzema "ho"
kutswinyirwa ne hombe tatu, dzato santa nenzara yema bischo apo

dzichi severwa mukaka nehuchi, kuiswa nekubviswa chirudzi
kupota dzichi nyudzwa, nyudzwa, nyudzwa, zvitatu, kudyirwa nechirutsi
kana vachifunga takadakwa, kusvinuka kuratidza kubaka zvakanaka
hatibhendese kufara, kufarira kufara nekubva kwenzira nhete kwakashata

******----------End of last 4 lines of the 1st verse----------*******

As you can see, "kukurungana poto" (stiring one another's pots) comes from the understanding of stiring in a pot, the word "runga" meaning pure in definition, ku-runga meaning both "to-stir", and "to-purify".

This word "hoyo" popularized by financed usage and slang populization promotion of the "what's the new word" culture, SOME DO NOT RECOGNIZE THE DIRTY MINDEDNESS BEHIND THE DOUBLE MEANINT SUB-LIMIMAL, that doesnt go for all people who use it, BUT IT HAVING MUCH TO DO WITH THE INITIAL USAGE AND PROMOTION, in short having the "y" placed where the same spelling lf word has an "r", again to note people's problematic with TEACHING AND DOCTRINE, specificaly and directly BLESSING OR CURSING, the sublte MORE IN THE BACKGROUND OF THE WORD "hoyo" is "hosho", basicaly a rattle shaker, but MORE INDEFINATE without the other wird where the r is in place of the y, a wording of mouth close to the EXCLAMATION which can be spelt "yoweh", or more known as "maiwe", this being the only NEUTRAL GROUND for the word in the same fashion as "Hallelujia", which is problematic in so many people's context of usage giving thanks for harlotry and fornication or social pornography or any kind of debauchery, even just lying itself, another person having told me of it meaning "salutations", similar to the use of the sloganized "pfee", but honestly, myzelf being 37, and seeing it mainly amongst the post 2000 born millenials, I DO KNOW BETTER as their popular artists and singers engaged in it's use.

so the line continues from "ngatisa kurungane poto nehoyo ....(not to stir each other's pots with 'hoyo')", into "Kushamisana DORO ne chishami iyoyo"... this making the 2nd part of the 1st line.

kuShama means 3 things to date so far, (1)-to be surprised, (2)-to be naked, (3)-to be drunk

Doro, is the popular word for alcoholic or wine like beverages ONLY NOW OF MOST RECENT based on the usualy known 7 day's formula of maize meal, barley and hops being used to make bitter flsvoured corn starch drink that ferments over time when stored for about that time in a certain placing after its brewery, BUT TO BE HONEST OF THE MOST OBVIOUS, and as many would call themselves devoutly in depth understanders of shona, to know the Night Butterfy/Moth sedling of a catterpillar called "Dora", when anyone thinks of "traditional food" such "madora" oftrn served having been cooked with peanutbutter and other bean souping, or simply cruch dry grilled on flame or fried, the connection between the word "Doro" and "Dora", having much significance AROUND THE INTERACTION OF PEOLE IN THE POINT IN TIME THIS BECAME "TRADITIONALIZED" AS ANYTHING ASSOCIABLE WITH SHONA SPECIFICALY, it alwsys known to be food all across africa, yet exaclty as if in humour how the shape of the caterpillars description using the word "dora" in the same kind of ridiculing of other men's private parts, is WHERE THE DRUNKEN DEBAUCHERY LIES, completely exposed in "kudora" from the lines just before these last 4 of the first verse.

Here are the 2nd 4 lines......
-------------************------------***********-------
haisi hupenyu kurumana, kutsengana nguva kushamisana kuskugova
kuita zingwa kuidza yedombo kuda chokwadi yezai, chinyavada vachi tora
*****pamwe doro iri nani kudora, hatiendi kudakwa tinodzorwa
7 days kupera simba neviki, chishanu svika sondo kuzobikana mahorror
-----------**********------------*********---------------

we will,come back to that again, the point was to note an actual place now called "Dora", no shock that it is known for where to find these night time butterful catterpillars called maDora, and the "Proverbial" Word Play is in the word "Dora", from understanding "Doro" as beer/wine, making "Dora" directly "To Beer", before one even consideres the sexual immorality debauchery multiple of the sexualized usage of the word in slander.

So, we have just finished the first line that looks like 2 lines, but is actualy 1.

....ngatisa kurungane poto ne hoyo  kushamisana doro yechishami, iyo yo

the next one follows from the last word's use of the word "iyoyo" which means "that one", when identifying something, breaking the two "yo" 's of it also in the spelling of each "yo" as "Y-O" the tso letters "Y" and "O", later getting to the Nigerian-ized accentuation of adding "-O"/"-Oh" at the end of each word, some people known to do it from having seen Nigerian african movies doing it playfuly "To Sound Nigerian".

The Next line being ... :

Y O kachi two "ngei yeku naija" shamise ziviso yeku jozi i "tjo tjo"

Y O kachi two(Two "Y" "O/Oh" 's), Ngei yeku Naija ("why 'in nigerian/of nigeria' ") ..... which should make sense given the description now the last bit...

Shamiso is initialy descriptive of "A Sort of Surprise", as we are clear the song is about soberness, ziviso, (zivo=wisdom/knowledge) is about letting people know, almost like dzidzo=teaching/doctrine.

So Continuing we have .... :
"....Shamise Ziviso yekujozi i *tjo-*tjo..."

In Johanesburg south Africa as a Gauteng collective of slang words, "tjo" has been veey popular for always positive exclamation and surprise, this concluding the put together of the entire meanint, but still with more to describe if we we're to dive into both Nigerial dialect from where the ending with "Oh" associates with so many dialects and mass amounts of words in ending sentencing, and for South Africa's multi-lingual tswana, zulu, and so many other derivates these two being collective, there is a blessed amount to say.

BEAR IN MIND WE ARE ONLY TWO LINES INTO THE LAST 8 HALF OF THE FIRST VERSE.

The 2nd 2 of the 1st 4 are :

----------*********----------*********----------*******
azvisi zvekutambisa kutenderudza y kuti H(echi) yacho mbiri dzema "ho"
kutswinyirwa ne hombe tatu, dzato santa nenzara yema bischo apo
--------*********----------*********----------********

AZVISI ZVEKUTAMBISA (-it's not to play with-), KUTENDERUDZA Y KUTI ECHI YACHO (-to turn "y" upside down making lower case "h"-) MBIRI DZEMA "HO" (-"yo" turns to "ho" when the y is upside down-)

KUTSWINYIRWA NEHOMBE TATU (-scratchingly itched with a large 3-ness : "Tatu" is "x3"-) <---- [:--in refference to the 3 areas of things in life, & it being mark of the beast harlotry for all otherwise than God's teaching, right hand meaning what we teach others as works of our hands, forehead meaning what we believe in, the people of God also sealed *!not marked!* on their forehead in the book of revelation--:] -----> DZATO SANTA NENZARA YE MABISCHO APO (-"bischo" meaning "biscuits/cookies" right there-) <---------- [:-- Santa Clause slidkng down people's chimney and apearing as if leaving them gifts but stealing their milk and cookies in relation to people out to spoil other people's oneness of flssh relationships --:] which is actualy demonic spiritual-ism called "mr take your guy/girl" that so many even artistd of the music indistry subscribe towards the immoralization and degradation of the beautiful spleandour and actual power that Eternal oneness of flesh & being actualy has ESPECIALY TODAY AS WE WALK ON THE FACE OF THE EARTH ON SPIRIT AND TRUTH, why the devil hates faithfulness so much ETERNALY, is because OUR HEAVENLY FATHER HONOURS IT, only trying to make it appear as if anything else has power over it, or if attempted separation by any other parties besides the two of eternal oneness of being has any power over it, notto mention any separation itself having power over God whom in the agreement of a man and woman inside and out, HE IS ALWAYS FAITHFUL ESPECIALY ETERNALY.

So, THAT is the first 4 lines of the last 8 lines of The 1st Verse .... :
------------********----------*********---------*******
....ngatisa kurungane poto ne hoyo  kushamisana doro yechishami, iyo yo
Y O kachi two "ngei yeku naija" shamise ziviso yeku jozi i "tjo tjo"
azvisi zvekutsmbisa kutenderudza y kuti H(echi) yacho mbiri dzema "ho"
kutswinyirwa ne hombe tatu, dzato santa nenzara yema bischo apo
---------*********-----------*********---------********

The Next 4 Lines After That are :

---------******----------**********---------********
dzichi severwa mukaka nehuchi, kuiswa nekubviswa chirudzi
kupota dzichi nyudzwa, nyudzwa, nyudzwa, zvitatu, kudyirwa nechirutsi
kana vachifunga takadakwa, kusvinuka kuratidza kubaka zvakanaka
hatibhendese kufara, kufarira kufara nekubva kwenzira nhete kwakashata
----------*******---------**********--------********

DZICH SEVERWA MUKAKA NEHUCHI, (being dunked in Milk & Honey <The cookies>), KUISWA NEKUBVISWA CHIRUDZI (-being put on <clothed with> and removed of whatsoever/choice-and/in-Perfect-Liberty<?randomly?>-)

KUPOTA DZICHI NYUDZWA (Always getting drowned), NYUDZWA NYUDZWA ZVITATU (3 times) KUDYIRWA NECHIRUTSI (being eaten "by/& with" the vomit)

KANA VACHIFUNGA TAKADAKWA KUDSVINUKA KURATIDZA KUBAKA ZVAKANAKA (if they thought we we're/are drunk, Soberness is showing Light of Goodnes)

HATIBHENDESI KUFARA, (-***we dont "bend" to be the wide and dstructive path....-) KUFARIRA KUFARA NEKUBVA KWENZIRA NHETE KWAKASHATA (-....to be over-exageratingly happy with constantly straying from the straight and narrow path which is evil doing-)

<<<-------***Still-To-Be-Continued***------->>>

-TeQ NiQ - Kudzai Simbarashe David Murapa - KSDM

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